Reporter’s note: Each summer, Chautauqua Theater Company opens its stage doors to young actors and theatermakers for a fully funded fellowship. This summer’s conservatory includes
The Arts
Reporter’s note: Each summer, Chautauqua Theater Company opens its stage doors to young actors and theatermakers for a fully funded fellowship. This summer’s conservatory includes
There are many aspects to a professional musician’s career: performing in orchestras, playing chamber recitals, accompanying operas and, often times, coaching young talent. At Chautauqua
Reporter’s note: Each summer, Chautauqua Theater Company opens its stage doors to young actors and theatermakers for a fully funded fellowship. This summer’s conservatory includes
The workshops in Week Seven at the Chautauqua Writers’ Center will help students focus on overcoming fears and being open to experimentation with their work.
Stelth Ng is a musician who has a thing for dance. Last year, the violinist worked with dancers from the Charlotte Ballet to combine music,
What’s it like to audition for an orchestra? How long do orchestral musicians practice? Are the second violins just as good as the first violins?
Kyle Houser is, by his own admission, a busy guy. “I do too many things, is what I do,” he said. He works full time
In the water dripping from faucets. In the rocks scraping the brick walk paths. In the sand between bare feet on the beach, and in
The room is theirs. After a summer of guest instructors and ensemble choruses, lessons and coaching sessions, community events and recitals, the Chautauqua Opera Company’s
Childhood experiences shape everyone, but one in particular had a huge impact on writer Linda K. Wertheimer. It put her on the path to her
In a six-hour span Friday, Bratton Theater’s stage will go from an industrial prison to a homey kitchen. Chautauqua Theater Company will perform Building the
Richard Russo never really intended for Everybody’s Fool to exist. The book, a follow-up to his 1993 novel Nobody’s Fool, came about because Russo’s literary
There’s no such thing as just another Mahler symphony. It’s one of the great paradoxes of the symphonic repertoire: Gustav Mahler would install himself in
The connections we make — with others, with ourselves, with the world — are magical and fleeting. We can’t control if and when they happen,
If Vivienne Benesch could get her hands on a slice of Portage Pie this week, she would be happy. “I miss Portage Pies on a