The pulse of art beats through Chautauqua’s veins. Whether it is listening to the sounds of the Chautauqua Symphony Orchestra in the Amphitheater, seeing a row of young ballerinas in line for lunch, or attending a Friday night performance in Bratton Theater, there are myriad ways for Chautauquans engage with one art form or another.
At 8:15 p.m. tonight in the Amphitheater, the Charlotte Ballet will take the stage to pay homage to the iconic dance. With 10 separate pas de deux of all shapes and sizes, however, they are doing far more than just paying homage.
A dance company teetering on the brink of extinction may not seem like a good thing. But for Lisa Sheppard Robson, it was the window of opportunity she didn’t even know she was looking for.
At 10:45 a.m. today in the Amphitheater, Patrick Griffin, chair of the history department at Notre Dame University, will kick-start Week Five’s theme of “The American West” with a lecture titled “America as Frontier: A View Of Our Past.”
As the crickets nestled among the tall grass and the waters lapped along the bank of the lake, Morihiko Nakahara walked along the trail and settled back into the ebb and flow of Chautauqua’s rhythm.
It only took playing George Frideric Handel’s “Messiah” about 500 times in his career for Jared Jacobsen to have a revelation.
Upon entering the Amphitheater, a friendly usher approaches, prepared to scan gate passes and greeting passersby as they enter the gates. Everyone, from vice presidents to first-time visitors, hesitates for a moment. Guests may feel a sigh of relief as they enter the Institution’s entertainment hub.
Nancy Youssef thinks that democracy may too often be glorified as a golden, infallible form of government, and that Americans may be too eager to throw it as a panacea toward any problem that arises.
Big Easy sounds — an instrumental trifecta of piano, clarinet and percussion — will course through the Amphitheater tonight as Chautauquansget a taste of New Orleans’ Bourbon Street.
Chautauqua Dance’s student gala is like a buffet. It serves up a little taste of everything: a sweet smackerel of classical ballet, a fresh morsel of new choreography and a savory glimpse of student performers ranging all across the skill spectrum of dance.