The 2014 Chautauqua Symphony Orchestra season is officially one of 86 in the history books.
It’s 8 a.m. on a monsoon Monday morning at the Amphitheater, rain sheeting down as puddles circle the venue’s concrete rim. Most of the 12 morning ushers are already here, seeing and doing what needs to be done without being asked.
At 8:15 p.m. tonight in the Amphitheater, audiences will have the chance to witness the Charlotte Ballet push dance into an area of creative discomfort. The company hopes that they will metamorphose into the unexpected and the enlightened.
The pulse of art beats through Chautauqua’s veins. Whether it is listening to the sounds of the Chautauqua Symphony Orchestra in the Amphitheater, seeing a row of young ballerinas in line for lunch, or attending a Friday night performance in Bratton Theater, there are myriad ways for Chautauquans engage with one art form or another.
Upon entering the Amphitheater, a friendly usher approaches, prepared to scan gate passes and greeting passersby as they enter the gates. Everyone, from vice presidents to first-time visitors, hesitates for a moment. Guests may feel a sigh of relief as they enter the Institution’s entertainment hub.
A swell of Chautauquans flooded Hultquist Center porch Wednesday morning, overflowing onto the steps and surrounding area to listen to the Trustees Porch Discussion, “Fine & Performing Arts & Inter-arts Collaboration.”
This year, Jay Lesenger celebrates 20 years as artistic/general director of the Chautauqua Opera Company.
Last Sunday, the Chautauqua Opera Guild held a soireè for the purpose of thanking their members and supporters, along with celebrating a very special set of anniversaries.
Coined by author Lewis Carroll in Through the Looking-Glass, the word “galumph” is a verb that means “to move with a clumsy, heavy tread.” In 2001, the term became also became the official name for an acrobatic troupe.
Four students from Chautauqua Institution’s Schools of Fine and Performing Arts will take their talents from the Amphitheater to the small screen next spring as features of a documentary produced by WQED-TV, Pittsburgh’s PBS affiliate.