The allusive title of this exhibition, conceived by Galleries Director Judy Barie, suggests a play on the contemporary phrase “farm to table.”
In 1999, Tom Nakashima saw a pile of dead trees waiting to be burned. The image was so striking, he
As Visual Arts at Chautauqua Institution’s Don Kimes tells it, when he asked the artist Charlie Hewitt to start a printmaking program at the School of Art in the 1990s, Hewitt famously asked, “Can you get your hands on a screwdriver and a rock?”
At Open Studios night last Monday at the School of Art, the first thing 7-year-old Jackson Kuhn did was make a beeline for art student Molly Berger’s ceramics studio. He traded a rock he painted — and autographed on the back — for one of her mugs. Kuhn loves ceramics; he takes classes in it through the Special Studies’ Young Artists program, and he started selling painted rocks last year to raise money for a ceramics student scholarship through the Chautauqua Fund.
At the VACI Open Members Exhibition, which opened Monday in Fowler-Kellogg Art Center and runs through Aug. 22, longtime Chautauquan Enid Shames spent several minutes staring at a video piece called “The Aesthetics of Informatics in a Wandering America.” [w/ SLIDESHOW]
Stanley Lewis has served as a visiting artist at Chautauqua Institution’s School of Art each year for the past 25 years, but he’s interested in far more than his own work. [w/ SLIDESHOW]
In her first trip to Chautauqua Institution, visiting artist Julie Heffernan will paint a poster for an environmental protection campaign.
In an untitled piece, ceramics student Emily Harki attached crumpled squares of porcelain to several long wires, which she twisted into curls and drilled into two white wooden panels. Harki’s monochromatic piece, which measures the size of a small billboard, sold for $1,000 at the Chautauqua School of Art Annual Student Exhibition. It’s the most expensive sale from the student art show so far.
Most galleries need a week to take down one exhibit and install the next. With only nine weeks in Chautauqua Institution’s season, Strohl Art Center does not have the luxury of time.
Joe Nicoletti calls himself a representational painter.
“It’s a fancy way of saying, ‘I paint stuff,’ ” Nicoletti said. [WITH SLIDESHOW]