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Megan Tan

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CTC production team responds to evolving ‘Three Sisters’ needs

As the opening of Chautauqua Theater Company’s production of “Three Sisters” approaches, the production team finds itself finishing an evolving set of needs for the play. Production Manager Joe Stoltman said while this is his third time working on a production of “Three Sisters,” each time has presented different challenges. For this production, directed by Brian Mertes, the team has responded to aspects of the show that have changed during rehearsals.

Good clean fun

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Is there hilarity in housekeeping? Can bathroom sinks and fun appear in the same sentence? In Chautauqua, it appears the answer can sometimes be yes.

Guest director brings new twist to ‘Three Sisters’

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Brian Mertes, well-known theater and television director, looks at things differently than traditional directors. This might be evident to audience members who come to see the Chautauqua Theater Company’s 2011 Season production of “Three Sisters” that Mertes is directing. The play, which takes place in a provincial town in Russia, follows the search for meaning and happiness in life by three sisters — Irina, Olga and Masha — as they long to go back to their hometown of Moscow.

‘Quite a night’

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Maybe you think you understood it and could even situate it within the dance vocabulary of traditional poses, moves, couplings. Perhaps that charge of Sarah Hayes Watson onto the Amphitheater stage seemed like a violation by some primal creature. Maybe you felt comfortable with that association.
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Costume shop blends Victorian silhouettes with modern accents

The Chautauqua Theater Company costume shop is accustomed to the process of constructing garments for plays, but a modern twist on Anton Chekhov’s “Three Sisters” has made this time a unique blend of Victorian and modern styles. Olivera Gajic, designer of the costumes for the production, said she has worked with Brian Mertes, director of the production, approximately a dozen times on past productions, and nearly half of those times involved Chekhov plays. This has allowed them to develop a comfortable system for getting the design of costumes fitted with each play and character.

Meleis: Empower the whole woman to promote worldwide well-being

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It’s all about women, and she’ll explain why in fives. “For ancient Egyptians, five was for worship” — Dr. Afaf Meleis raised her right hand — “and it was for offerings” — she extended her right hand — “and it was on temples to keep the evil eye away, which now is the khamsa that’s used in so many cultures … (and) brings its owner happiness, luck, health, good fortune and safety. And that’s what we want to bring to women of the world.”

Froese: A health system to serve mothers is one for all

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“What is the value of a mother’s life?” Then: “What is the value of your mother’s life?” These questions, posited by Dr. Jean Chamberlain Froese, the founder and director of Save the Mothers, began her presentation, “Am I My Sister’s Keeper: Addressing Maternal Mortality in the 21st Century.”

Farmer: Key to global health is community-based care

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The screen behind Dr. Paul Farmer depicted a Rwandan man with a short gray beard on his chin, his lips curved into a vague smile. He wore blue cloth pants held up with a loose belt that dangled from his fragile hips. He had no shirt, drawing immediate attention to his frail body. His ribs protruded from underneath his skin, his arms nothing but bone covered with a thin layer of skin. In his right hand, he gripped a wooden walking stick. “I said upon meeting this man, whose name is John, ‘We have all the medications that we need to get you better,’” Farmer said.
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Preparing to preach

A slideshow of photos by Daily photographer Megan Tan, taken as the Rev. Alastair Symington, senior minister at Troon Old Parish Church in Scotland, prepares for Chautauqua's first Sunday morning sermon.

‘A Manner of Being’

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The following is a transcript of Chautauqua President Thomas M. Becker’s Three Taps of the Gavel address to the Amphitheater on June 26, 2011. Welcome to this morning’s service of worship and to this ceremonial gaveling that we conduct for the purposes of opening the season and dedicating ourselves to the amazing array of gifts contained within the next nine weeks of the Chautauqua experience.
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