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Demetrius Freeman

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No power? No problem.

Weird night last night. I should have known that something was amiss at Chautauqua when I found a parking space at the bottom of the lot close to the exit. Paradoxically, the failure of a transformer earlier in the day and the resultant loss of electrical power increased the noise level on the grounds as gasoline-powered generators chugged away.

IOKDS welcomes 16 students from around the world

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Perhaps you’ve seen the houses on the red brick walk replete with huge white banners: “CELEBRATING 93 YEARS: THE INTERNATIONAL ORDER OF THE KING’S DAUGHTERS AND SONS!” and wondered what an international order was or why it necessitates three houses and a chapel on the grounds.
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CTC electrician named finalist in international lighting competition

Light is a part of everyone’s daily life, regardless of age, religion or location. Noah Craft sees the beauty and inspiration in this universality of light. This is what led him to enter and become a finalist in the Philips 2011 Light World Tour, a competition that allows one person with a passion for lighting to travel for three months finding new lighting inspirations.

Dance students present first gala of 2011

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The Chautauqua School of Dance will perform the first of two Student Galas at 2:30 p.m. Sunday in the Amphitheater. The Workshop, Festival and Apprentice dancers had one to two weeks to rehearse both classical and new works. It’s a test of their ability, but Ballet Mistress Glenda Lucena said this group of students has already stood out from others.

Couple extends Chautauqua experience through volunteering

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It’s easy to sit in a lecture and hear about how to fix the government or how to find the common good, but a challenge for Chautauquans is taking those lessons and calls to action outside the gates. Susan McKee and Hal Simmons have done just that — actively taking what they learn here at Chautauqua and putting it into action.

Porch Discussion sheds light on marketing impact of PBS special

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George Murphy, Chautauqua’s vice president and chief marketing officer, said he wants Chautauqua to “own” surrounding marketing areas and “attack” problems at the Main Gate, but most of all, he wants to draw people in. Murphy spoke to nearly 60 people Wednesday on the Hultquist Center porch about the Institution’s recent marketing strategies and the effects of the WNED documentary “Chautauqua: An American Narrative.”

Precision, consistency key to Keyser’s lemon tart success

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Equipped with a brand-new, lemon-yellow wagon that matches his famous lemon tarts, Herb Keyser is back in business for the season. Every Monday morning, Keyser marches up and down the brick path in front of the post office selling his homemade lemon tarts to those waiting in the ticket line for the Logan Chamber Music Series. With his lemon tarts, Keyser found a fun and creative way to fundraise; he donates all of the proceeds to the Chautauqua Fund, sometimes multiplying his initial investment in ingredients almost five-fold.
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Golf tournament supports Westfield hospital

The Chautauqua Golf Club regularly hosts a variety of charity events, most notably the Office Depot Pro-Am Tournament and the Sports for Kids Golf Tournament. Last Friday, both frequent and occasional golfers gathered at the Golf Club to support local hospital care in the Westfield Memorial Hospital Foundation 19th Annual Golf Tournament.

Chikane reflects on opponent of apartheid, future of peace

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The Rev. Frank Chikane pays the salaries of his former torturers because of the influence of anti-apartheid leaders like Beyers Naudé. Chikane is the president of the Apostolic Faith Mission International and a member of the African National Congress. His 2 p.m. lecture, “Daring Death to Save a Nation,” was the third in the Week Three Interfaith Lecture Series “Spies for God.”

Despite genuine insights, CTC’s ‘Three Sisters’ mostly overdone

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The good news is that Chautauqua Theater Company is staging Anton Chekhov’s 1901 “Three Sisters,” one of the greatest plays ever written, through July 17. Further, good reports can be made of the chosen translation: by the late Slavic academic-turned-actor Paul Schmidt, it renders Chekhov’s then-contemporary idiom (the play is set in a stultifying provincial city in 1900) into plausible, listenable and unstilted American English, with only a few questionable decisions.
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