Review by Anthony Bannon The elements of the seasons had their way with us Thursday evening on July 5, in the Amphitheater, in this, the summer to simmer — all of us awaiting the cooling
Blue: Wavelength 440-490 nm; frequency 680-610 THz; ranging from navy blue to cyan as one of the primary colors. And there are other truths, other ways of seeing and being blue.
Guest Review
Such the wonder of a new way of being in the world: the proposals that remake our visions, rare celebrations like the turn toward abstraction in art during the last century.
Humankind at its best suggests new worldviews — that our ground is round instead of flat, for instance, and it is a shared amazement, like the suggestion that a star is at the center of things rather than us. And with these understandings, we are transformed.
Maybe you think you understood it and could even situate it within the dance vocabulary of traditional poses, moves, couplings. Perhaps that charge of Sarah Hayes Watson onto the Amphitheater stage seemed like a violation by some primal creature. Maybe you felt comfortable with that association.
Guest Review
And how we love our animals.
Our animals.
We tame them. We worship them. We sleep with them. We admire them. We eat them. We use them for sport, for fashion, for profit. We nurture them, cultivate them, hunt them, kill them. They are devils. They are gods.
Guest Review
I’m sorry, but this show is just not the way it is supposed to be.
It’s off-kilter, sometimes upside-down and usually topsy-turvy.
Give this 54th version of Chautauqua’s juried Exhibition of Contemporary Art a nudge and it would tumble over the line, across that careful border that too often marks what is right for art and what is supposedly not.