Review: ‘Wonder & Awe’ Captures What Creatures Do Away from Prying Eye by Patrick Hosken on August 10, 2024
Review: ‘Authentic expression wins the night’ with Kotev’s ‘potent’ rhapsody by Andrew Druckenbrod on July 27, 2024
Review: Crisp cues, excellent ensemble in CSO performance with guest conductor Chia-Hsuan Lin by Andrew Druckenbrod on July 26, 2024
Review: Chautauqua Symphony Orchestra’s ‘Symphonic Celebration’ heats up pop classics by Patrick Hosken on July 24, 2024
Rain Harris’ ‘Wallflowers,’ closing this Sunday in Strohl, allows viewer to interpret through personal meaning by webchq on August 19, 2022
Principal Horn Kaza soars through Amp with CSO, bringing life to Mozart, Schickele by webchq on August 19, 2022
Artists in CVA’s ‘Undercurrents’ urge importance of protecting water, natural resources; evoke sense of responsibility by Melissa Kuntz on July 31, 2022
Embodying ‘tutti,’ CSO, MSFO provide chills, delight in Mahler’s First by Andrew Druckenbrod on July 22, 2022
Guest critic: CSO Diversity Fellows, wind section deliver ‘chamber music of the highest order’ by Zachary Lewis on August 13, 2021
Guest critic: Replete with drama, Apollo’s Fire takes audience on ‘vivid, almost visceral’ Baroque journey by Zachary Lewis on July 30, 2021
Guest critic: With ‘bridge-builder’ Măcelaru, CSO shines light on Dvořák’s ‘Legends’ by Zachary Lewis on July 30, 2021
Guest critic: Concerts showcasing individual CSO sections — and a cappella — play out in refreshing ways by Andrew Druckenbrod on July 23, 2021
Guest Critic: In Rossen Milanov’s Final Concert of Season, CSO and Michelle Johnson Give Strauss Works ‘Life in Death’ by Anthony Bannon on August 20, 2019
Guest Critic: Paul Taylor Dance Company and CSO Performance Concludes Seminal Residency by Jane Vranish on August 16, 2019
