Review: ‘Authentic expression wins the night’ with Kotev’s ‘potent’ rhapsody by Andrew Druckenbrod on July 27, 2024
Review: Crisp cues, excellent ensemble in CSO performance with guest conductor Chia-Hsuan Lin by Andrew Druckenbrod on July 26, 2024
Review: In Chautauqua Opera’s ‘Carmen,’ Young Artists strike balancing act by Andrew Druckenbrod on July 29, 2023
Review: Backdropped by lightning flashes, Parisian flare propels sharp details of CSO by Andrew Druckenbrod on July 23, 2023
CSO, with Milanov, navigates Bruckner’s swiftly shifting Fourth by Andrew Druckenbrod on July 21, 2023
Intense, emotional selections showcase Chanitcleer as vocal tour de force by Andrew Druckenbrod on July 21, 2023
Embodying ‘tutti,’ CSO, MSFO provide chills, delight in Mahler’s First by Andrew Druckenbrod on July 22, 2022
Guest critic: Concerts showcasing individual CSO sections — and a cappella — play out in refreshing ways by Andrew Druckenbrod on July 23, 2021
Guest Critic: CSO and MSFO Bring Skill and Color to ‘Fiendishly Difficult Work’ by Andrew Druckenbrod on July 21, 2019
Guest Critic: In ‘Midsummer’ Inter-Arts Collaboration, CSO Provides ‘Bedrock’ for Students to ‘Flourish’ by Andrew Druckenbrod on July 19, 2019
Guest Critic : ‘Many lovely moments’ as CSO, Milanov continue to tune Amp by Andrew Druckenbrod on July 1, 2018
Guest Critic :Gavrylyuk delivers ‘masterwork’ of ‘powerful reimagining’ by Andrew Druckenbrod on June 29, 2018
Guest Critic: With Beethoven’s Ninth, Milanov ‘emphasized the beauty of the music’ by Andrew Druckenbrod on July 2, 2017
Experimenting in new Amp, Gavrylyuk puts heft into Tchaikovsky by Andrew Druckenbrod on June 30, 2017
