This season at the School of Art, Sydelle Sonkin and Herb Siegel Artistic Director of the Visual Arts Sharon Louden has worked to create
The Arts
Cooley A pillow from high school, a fax machine and a glue stick — all ordinary things suggestive of a world beyond their material borders
Jason Weintraub conducts the Chautauqua Community Band in their Old First Night Concert Tuesday, August 7, 2018 on Bestor Plaza. RILEY ROBINSON/STAFF PHOTOGRAPHER The Chautauqua
The year is 1963. The place, Brighton, England. It’s a time of great change and revolution for music, gender roles and fashion, and freedom of
The ghosts that haunt the 2019 winner of The Chautauqua Janus Prize emerged, as subjects of great literature often do, from “an imaginary affair with
Chautauqua Voice Program students Lindsey Reynolds, soprano, left, as Guilietta, and Marie Engle, mezzo-soprano, as Romeo, perform with the Music School Festival Orchestra during a
Classical guitar has a very slim repertoire — so the Eden Stell Guitar Duo is creating its own path. Mark Eden and Christopher Stell, award-winning
Jared Jacobsen, organist and coordinator of worship and sacred music, practices for of the 2019 season. SARAH YENESEL/STAFF PHOTOGRAPHER Jared Jacobsen is hitting the road
After months of collecting graduation applications and organizing a deluge of diplomas, name tags and luncheon tickets, the staff at the CLSC Octagon are
Who: Alex Brightwell, CTC conservatory actor. Brightwell wears many hats during the CTC summer season. Early in the summer, he participated in the Young Playwrights
Who: Kelsey Deroian, CTC conservatory actor. Deroian has stayed busy throughout the entire season. She kicked the summer off by performing in the Young Playwrights
Cynthia Norton’s family left its legacy encased in a concrete structure, where fine art and beauty have blossomed for the past 90 years. It’s exactly
Michael Baumgarten, lighting manager of the Chautauqua Opera Company, gives us a look into his job at the tech table as he prepares for the
Scott If, like poet Minnie Bruce Pratt observes in “All the Women Caught in Flaring Light,” one thinks of “a poem as a door that
Guest Critic: Tom Di Nardo Suppose a playwright could rewrite the past, avert the French Revolution and keep his love, Queen Marie Antoinette, from the
Review by Vicky A. Clark- “On Common Ground: Works on Paper” at the Strohl Art Center, curated by the Susan and John Turben Director of