Karen Pittman Karen Pittman thinks there’s a playful quality to the characters she creates. And that’s a pretty impressive feat, considering she’s at Chautauqua
Theater
Nick Gandiello hopes his play will be a reminder of mortality. Gandiello is the writer behind The Glow Overhead, the second and final entry
Rossen Milanov conducts the Chautauqua Symphony Orchestra in "Sheep May Safely Graze, BWV 208 (1713-17)" by J.S. Bach/Arr. Stokowski on July 28, 2016 in the
Brittany Bradford and Juliana Canfield live in double rooms in the Bellinger Hall dorms. They share suite-style bathrooms. They attend classes. In so many ways,
Erin Weglietner can make marble out of wood. All she needs is a brush. Weglietner is the scenic charge for the Chautauqua Theater Company and
Vivienne Benesch is fighting for new work right up to the last moment. The Chautauqua Theater Company co-artistic director, whose 12-season tenure in the
Andrew Borba and Rossen Milanov are bringing sorrow to a new level at Chautauqua Institution. The Chautauqua Symphony Orchestra will weave theater and voice
Thursday marks the end of an era for the Chautauqua Theater Company. It is Vivienne Benesch’s last day as co-artistic director. “I drive away
Chautauquans are about to be exposed to a deeply personal theater experience. That is, if they’re willing to stay up for it. At 10 p.m.
For men and women alike, Love, Loss, and What I Wore is contagious. Less than a decade after sisters Nora and Delia Ephron adapted
Michael Potts is trying to put flesh on a skeleton. That’s how he described it, at least. As the actor prepares for his starring role
Zayd Dohrn looks for how the personal connects to the political. Zayn Dorn Dohrn is the writer of The Profane, the second Chautauqua Theater
In its 11 years, the Chautauqua Theater Company New Play Workshop program has racked up an impressive list of alumni all across the country.
Joshua Brody is the kind of director who bakes cookies for his actors. And he knows that makes him a bearded, tattooed version of
If Tiny Houses sounds like a modern play, that’s because it is. The show, which tells the story of a couple moving from New
Hyla Sue Stellhorn, Samuel Stark and Danielle Ferri have the buzz on the vibrators. They’re three major players on the In the Next Room