Generational Voices Fellow David Morgans discusses operatic growth by Layla Vinson on August 17, 2026
Gene Scheer’s work to be honored in performance by Generational Voices artists by Layla Vinson on August 16, 2026
Vocal coach Claudia Catania reflects on Marlena Malas’ legacy and The Denyce Graves Foundation by Layla Vinson on August 13, 2026
Denyce Graves launches new Generational Voices Program, to host master class by Layla Vinson on August 10, 2026
Opera Company concludes season with ‘Rosencrantz and Guildenstern Are Dead’ workshop by Layla Vinson on August 6, 2026
Pianists Kanae Matsumoto, Martin Dubé to join Opera Conservatory to present a night of dance with Student Voice Recital by Megan Brown on July 26, 2022
Cast, crew of ‘Don Giovanni’ to fully explore Mozart’s classic masterpiece by Megan Brown on July 21, 2022
Newly re-christened Opera Conservatory to stage Mozart’s ‘Don Giovanni’ by Megan Brown on July 19, 2022
A Sense of Danger: Liliana Duque Piñeiro’s ‘Tosca’ design to indicate ‘broken Rome’ by Megan Brown on July 17, 2022
In playing complicated character, Rolfe Dauz finds work even more important by Megan Brown on July 10, 2022
Peace, harmony, hope: Opera Conservatory students prepare for 1st recital of season by Megan Brown on July 5, 2022
For latest Invasion, Young Artists to golf-cart across grounds, singing along the way by Megan Brown on July 4, 2022
Opera Guest Artist Samina Aslam reflects on being 1st Pakistani woman to portray Mai by Megan Brown on July 4, 2022
More than a ‘Thumbprint’ — Opera opens season with chamber work from Sankaram, Yankowitz, with Omer Ben Seadia at helm by Megan Brown on June 30, 2022
Opera’s Evening of Song to feature Mary Prescott premiere, dovetail with CLSC poetry pick by Megan Brown on June 29, 2022
Marlena Malas, now in 43rd year, to give public masterclass for Opera Conservatory by Megan Brown on June 28, 2022
