The chill of a Norwegian winter may blow through the Amphitheater during the Massey Memorial Organ mini-concert Wednesday. The music of Edvard Grieg, arguably one
The Arts
This isn’t the first time Seth Clark has shown work at Chautauqua’s art galleries. Three years ago, his work was featured in the Visual Arts
To speak about xenophobia today, Mikael Eliasen is looking to the past. “We live in times where the word ‘immigrant’ might be slightly controversial,” said
Poet Todd Davis is using a past source of embarrassment to help others be in the know with his Brown Bag lecture. “When I first
Aldo López-Gavilán was immersed in music before he was even born. His father is a conductor, his mother is a concert pianist, and his older
A summer at Chautauqua Institution gives young musicians the chance to learn surrounded by talented peers, faculty and guest instructors. It’s a chance that is
Bold colors, big hair and paisley patterns – when actress Stori Ayers makes her entrance in Detroit ’67, there’s no mistaking she’s stepping out in
The names of different departments at Lowe’s and Home Depot mean nothing to the production and stage crews of the Chautauqua Opera Company. “We’ll walk
Ying Li calls painting a salvation. Li, who will speak at 7 p.m. Tuesday in the Hultquist Center, was born in Beijing and grew up
Nervous and suspicious, two black men carry the covered body of an unconscious white woman down the stairs of a dark Detroit basement. They step
Collaboration always brings out the best of Chautauqua Institution’s diverse performing entities, and Saturday’s performance of “Mango Suite” demonstrated a resounding formula for the future.
Authors Sabeeha Rehman and Janay Cosner will share two very different journeys with Chautauquans at 5:30 p.m. Monday in Hultquist Center 101. They’ll read from
Pablo Ziegler’s musical origins were typical. He began piano lessons at 5 years old, and eventually went on to study at the conservatory in Buenos
Chautauqua Institution has a history of combining its professional and student companies in multipronged, collaborative efforts. “While these projects were wildly successful artistically, they did
Detroit, Michigan, is just over 300 miles from Chautauqua Institution. But inside Bratton Theater, a furnished basement bar from the city’s Virginia Park neighborhood is
On paper, it first seemed a curious pairing: Ástor Piazzolla’s joyous The Four Seasons of Buenos Aires on the first half of the Chautauqua Symphony