This week, Chautauqua Opera Company will undertake the unprecedented. In celebration of its 90th anniversary, this week will be Chautauqua Opera’s first time holding an opera
The Arts
Who: Dorottya Vincze, CTC conservatory costume fellow. Vincze helps design costumes for the two main-stage productions — The Christians and One Man, Two Guvnors —
Participants of the Young Writers Institute pen essays after their class discussing the form on July 11 in the Literary Arts Center in Alumni Hall.
Who: Zackery Bennett, CTC conservatory sound design fellow. Bennett is involved with every production in CTC’s 2019 season. He assisted sound designer Mikaal Sulaiman in
The personal is indeed political for Shara McCallum, a Week Five poet-in-residence at the Chautauqua Writers’ Center. However, within the context of her lived experience
How The Light Gets In Director Emilie Beck talks about the New Play Workshop production during a brown bag Thursday, July 18, 2019 in Bratton
Review by Andrew Druckenbrod: Puck’s famous epilogue at the end of Shakespeare’s comedy A Midsummer Night’s Dream apologizing if the play offended the audience is, of
There’s a musical movement in bluegrass in which bands are breaking the mold of the genre’s traditional sound. One of those bands, Twisted Pine, features
Kimia Ferdowsi Kline As the curator for one of Brooklyn’s most popular boutique hotels, artist Kimia Ferdowsi Kline knows she occupies a unique space. “I’m Iranian;
Visual Arts at Chautauqua Institution’s newest exhibition may feature works all based on realism, but visitors shouldn’t expect every piece to look the same. “My
The cast and creative team of the New Play Workshop Production How The Light Gets In discuss the show during a brown bag Thursday, July
Glick Robert Glick no longer collects barf bags. In a 2011 interview with Jacquelyn Barnes for the travel website Wanderlust and Lipstick, Glick traced the
If you find yourself with no plans tonight, there’s a new hope for you. The Chautauqua Symphony Orchestra will perform John Williams’ original score live as
The Chautauqua Symphony Orchestra League aims to connect musicians and their audience at the Institution — both on and off the stage. The CSOL will host
Once, when she was the principal cellist in the Santa Rosa Symphony Youth Orchestra, Aja Gabel played Yo-Yo Ma’s cello. During a break from rehearsing
From left, "How the Light Gets In" Director Emilie Beck and Playwright E. M. Lewis talk about their excitement to be working with the production