Kelly Link presents fairy tales and ghost stories, closes out CLSC’s author presentations by Nora Smith on August 28, 2026
CTC’s Jade King Carroll, Emily Glinick bring summer reflections centerstage by Sophia Rooksberry on August 28, 2026
Literary Arts director Stephine Hunt looks forward to future of continual, lifelong learning by Nora Smith on August 28, 2026
Kelly Link on fairy tales in ‘White Cat, Black Dog’ for CLSC Week Nine by Nora Smith on August 27, 2026
CVA resident Markeith Woods sees work as way to regain control of perception by Will Karr on July 22, 2022
Nicole Cooley, David Lazar to focus on writing with grace, essays in week’s workshops by Chris Clements on July 22, 2022
Cast, crew of ‘Don Giovanni’ to fully explore Mozart’s classic masterpiece by Megan Brown on July 21, 2022
‘Writing doesn’t have to be solitary’: Multi-genre author Vi Khi Nao emphasizes importance of collaboration by Chris Clements on July 21, 2022
CSO & MSFO join forces for Mahler’s ‘Titan’ Symphony No. 1, under Maestro Rossen Milanov’s baton by Skyler Black on July 20, 2022
Influences, connections: 2nd CVA Resident exhibition opens in Fowler-Kellogg by Will Karr on July 20, 2022
Isabel Wilkerson’s ‘Caste’ to bring ‘many important conversations’ by Chris Clements on July 20, 2022
From sundresses to oil spills, CTC fellows finalize aesthetics for staging of ‘Holly Germaine’ by Ellen E. Mintzer on July 20, 2022
‘18 Effron Fellow Yue Bao returns to lead CSO in evening of Mendelssohn, Beethoven by Sara Toth on July 19, 2022
Newly re-christened Opera Conservatory to stage Mozart’s ‘Don Giovanni’ by Megan Brown on July 19, 2022
‘Holly Germaine’ conservatory actors share thoughts on living in illogicality, contradiction by Ellen E. Mintzer on July 19, 2022
Sue Ellen Thompson to dive into ‘so what’ factor of poetry in Brown Bag by Chris Clements on July 18, 2022
A Sense of Danger: Liliana Duque Piñeiro’s ‘Tosca’ design to indicate ‘broken Rome’ by Megan Brown on July 17, 2022
