Ton-Aime When Sony Ton-Aime writes poetry, he is devoted to the stanza’s literal definition. In its original Italian, stanza means “room” — a concept that
Ruhl The first email Sarah Ruhl ever received from Max Ritvo was not about reincarnation, relationships or other existential musings that fill the white space
The CLSC Class of 2018 during the recognition ceremony alongside fellow CLSC alumni on Wednesday, Aug. 8, 2018 in the Hall of Philosophy. HALDAN KIRSCH/STAFF
After months of collecting graduation applications and organizing a deluge of diplomas, name tags and luncheon tickets, the staff at the CLSC Octagon are
Dustin Parsons On Sunday in the Hall of Philosophy, Dustin Parsons apologized to ghosts. The fourth section of Parsons’ fragmented, nonfiction essay “The Domestic Apologies,”
Braithwaite Bloodstains menace the pages of My Sister, the Serial Killer. In the novel’s first chapter, Ayoola — gorgeous, magnetic and the eponymous murderer —
Hoffman Roy Hoffman thinks stories have the capacity to reverberate across eras. During his Week Six writer-in-residence reading on Sunday in the Hall of Philosophy,
Aimee Nezhukumatathil In “The Woman Who Turned Down a Date with a Cherry Farmer,” a poem from Aimee Nezhukumatathil’s 2003 book Miracle Fruit, a narrator