Maggie Smith Maggie Smith’s greatest professional success hinges on a cycle of grief. Her poem “Good Bones,” which Public Radio International proclaimed the “Official Poem of
Literary Arts
Mary Keating has been visiting Chautauqua Institution all her life, so when she decided to write a story set in modern-day Chautauqua, she drew inspiration
Vi Khi Nao Vi Khi Nao adapts to a room’s energy. As the Writers’ Center prose writer-in-residence for Week Three, Nao prefers to let a
When Clara Silverstein was 6 or 7 years old, her father gave her his old manual typewriter. At age 8, she began publishing The Doggie
Before she began her Sunday reading in the Hall of Philosophy as the Writers’ Center Week Two prose writer-in-residence, Jessica Bruder showed off the stripe
Beth Macy To keep track of the web of themes, communities and multiple sources that overflow in her 2018 book Dopesick: Dealers, Doctors, and the
Brandon Som Brandon Som credits his devotion to poetry to a couple of things. One: Like many budding young writers, he was lucky enough to
Jessica Bruder A self-proclaimed “ephemera hoarder,” prose writer-in-residence Jessica Bruder thinks that stuff — photographs, clothing, souvenirs — is a useful way to theorize about
“Content dictates form,” preaches Stephen Sondheim, Broadway’s peerless wordsmith. Sometimes, content can dictate the forum, too. Debuted last season, the Poetry Makerspace has moved from
Bob Proehl Bob Proehl is tired of seeing himself in the narrative. A native of New York and author of A Hundred Thousand Worlds and The
Emilie Richards Although author Emilie Richards got her start in romance novels, she’s no stranger to suspense and mystery. “When I started out writing in the
A classic middle-grade book joins a beautiful reimaging of the story of Anne Frank, her diary and identity for the CLSC Young Readers with Week One’s
In 1909, a 5-year-old boy worked a fruit stand in front of his uncle’s Blue Front Restaurant. On Nov. 11, 1909, he watched his town
Bob Proehl, Week One’s prose writer-in-residence, believes that sometimes the supernatural — magic, ghosts, aliens — may unlock the most emotionally honest elements of a story.
Even on a micro-level, the very act of reading — of trusting an author, of connecting with a protagonist, of discovering the secrets cached between
When Deb Pines was writing for the New York Law Journal and one of her friends was working as a law clerk to a federal